Oxford University Press Classical and Romantic Performing Practice 1750-1900: 1750-1900, Paperback

Classical and Romantic Performing Practice

Classical and Romantic Performing Practice

Performing Music: Shared Concerns (Clarendon Paperbacks)

Oxford University Press

Practice in Context: Historically Informed Practices in Nineteenth-Century Instrumental Music

Oxford University Press

Romanticism (1830-1890): Volume IX: Romanticism (1830-1890) (The New Oxford History of Music)

Oxford University Press

The Pianoforte in the Classical Era

Oxford University Press

The Performance of 16th-Century Music: Learning from the Theorists

Oxford University Press

Classical and Romantic Music (The Library of Essays on Music Performance Practice)

Routledge

Vital Performance: Historically Informed Romantic Performance in Cultural Context

Routledge

Music as Creative Practice (Studies in Musical Perf as Creative Prac)

Oxford University Press

After the Golden Age: Romantic Pianism and Modern Performance

Oxford University Press

Perspectives on the Performance of French Piano Music

Routledge

Performing Music Research: Methods in Music Education, Psychology, and Performance Science

Oxford University Press

Performance Practice: A Dictionary-Guide for Musicians

Routledge

Being True to Works of Music

Oxford University Press

Music Theory in Age of Romanticism

Cambridge University Press

Composition, Performance, Reception: Studies in the Creative Process in Music

Routledge

Mozart's Symphonies: Context, Performance Practice, Reception (Clarendon Paperbacks)

Oxford University Press

Off the Record: Performing Practices in Romantic Piano Playing

Oxford University Press

Romantic Violin Performing Practices: A Handbook

Boydell Press

Performance Practice: A Dictionary-Guide for Musicians

Routledge

Music in the Classical World: Genre, Culture, and History

Routledge

Performing Music History: Musicians Speak First-Hand about Music History and Performance

MACMILLAN

Early Recordings and Musical Style: Changing Tastes in Instrumental Performance, 1900-1950

Cambridge University Press