FANTASIES OF IMPROVISATION: Free Playing in Nineteenth-Century Music - Image 1

£36.61

Oxford University Press FANTASIES OF IMPROVISATION: Free Playing in Nineteenth-Century Music

Name: FANTASIES OF IMPROVISATION: Free Playing in Nineteenth-Century Music
Brand: Oxford University Press
Price: 36.61 GBP
Availability: InStock

Classical Music

It has never been this cheap. We have no record of a lower price.

£37 today · cheaper than every other day in the last 3 months

NEW HERE?

Amazon shows you one price. We show you all of them.

Tosheroon watches Amazon prices so you don't have to. Every product on Amazon has a price history — we make it visible. Set the price you'd actually pay, and we'll email you the second it gets there. No app, no account, one email.

WHAT'S ON THIS PAGE

↓ Price chart
when this has been cheap or pricey

↓ Forecast
where the price is heading next

↓ Statistics
all-time high & low, recent range

↑ Price alert
name your number, we'll email you

Price History & Forecast

Grey patches = out of stock. Cheaper = lower on the chart. Hover for exact prices.

Last 11 days · 11 data points (no recent data)

Historical

Generating forecast…

Price Distribution

Price distribution over 11 days • 1 price levels

Days at Price

Price Analysis

Most common price: £37 (11 days, 100.0%)

Price range: £37 - £37

Price levels: 1 different prices over 11 days

Description

The first history of keyboard improvisation in European music in the postclassical and romantic periods, Free Play: Fantasies of Improvisation in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work."

Product Specifications

Brand: Oxford University Press
Format: hardcover
ASIN: 0190633581
Category: Books > Subjects > Arts & Photography > Music > Styles > Classical Music
Domain: Amazon UK
Release Date: 12 June 2018
Listed Since: 19 December 2017

Barcode

No barcode data available

Oxford University Press FANTASIES OF IMPROVISATION: Free Playing in Nineteenth-Century Music

It has never been this cheap. We have no record of a lower price.

Price History & Forecast

Price Distribution

Price Analysis

Description

Product Specifications

Barcode

Similar Products You Might Like

Forging Pathways to Improvise Music: For Classical, Jazz, Comedic, and Church Musicians

Fascination Organ Improvisation - A Study and Practice Book

Musical Improvisation: Art, Education, and Society

Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice (Routledge Research in Aesthetics)

The Routledge Handbook of Philosophy and Improvisation in the Arts

Expanding the Space for Improvisation Pedagogy in Music: A Transdisciplinary Approach

The Routledge Handbook of Philosophy and Improvisation in the Arts

Studies in Historical Improvisation: From Cantare super Librum to Partimenti

Studies in Historical Improvisation: From Cantare super Librum to Partimenti

Compendium Improvisation: Fantasieren Nach Historischen Quellen Des 17. Und 18. Jahrhunderts: 5 (Schola Cantorum Basiliensis Scripta)

Teaching Music Improvisation with Technology

The Oxford Handbook of Critical Improvisation Studies, Volume 2

The Improvising Mind: Cognition and Creativity in the Musical Moment

Practice of Musical Improvisation, The: Dialogues with Contemporary Musical Improvisers

Musical Improvisation and Open Forms in the Age of Beethoven

Pianos, Toys, Music and Noise: Conversations with Steve Beresford

The Pianist's Guide to Historic Improvisation

Expanding the Space for Improvisation Pedagogy in Music: A Transdisciplinary Approach

THE OXFORD HANDBOOK OF CRITICAL IMPROVISATION STUDIES VOLUME 1

An Ethics of Improvisation: Aesthetic Possibilities for a Political Future

Distributed Creativity: Collaboration and Improvisation in Contemporary Music (Studies in Musical Perf as Creative Prac)

Music Theory Through Improvisation: A New Approach to Musicianship Training

Music Theory Through Improvisation: A New Approach to Musicianship Training

Improvisation Hypermedia and the Arts since 1945 (Performing Art Studies, 4)