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Bloomsbury Academic Divergent Tracks: How Three Film Communities Revolutionized Digital Film Sound

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Description

In the 1990s, the initial transition from analogue to digital postproduction sound practices began in motion pictures when three major American film sound communities developed unique approaches to sound design largely due to cultural, labor, and economic differences between the cities. By examining three case studies of award-winning soundtracks from each regionBarton Fink (1991), Bram Stokers Dracula (1992), and The English Patient (1996)it becomes clear that these communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. However, their cultural and structural labor differences governed different results. Rather than define the 1990s as an era of technological determinisma superficial readingit best understood as one in which sound professionals became more viable as artists, collaborated in sound design authorship, and influenced this digital transition to better accommodate their needs and desires in their work.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
20 May 2021
Listed Since
28 August 2019

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